C. L. Cunningham: Enduring Beauty
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C. L. Cunningham's works involve an unusual use of artistic materials not usually practiced by other artists. Such intense attention to the nature of materials derives from her personal artistic vision outside of formal art training, and assures both the permanence and the purity of her work. Self taught, Cunningham considers this effort, along with an ongoing study of art history, the most valuable training available, in addition to countless hours of actual work. She describes such discipline as ''the clarity of experience.''

''I am struck by the speed with which things change around us. The very nature of existence seems to be tethered to the mercurial evolution of technology. One constant is the need for beauty, for that which illuminates the human condition, inspiring hope and joy. The more our world relies upon automation and artificiality, the more we admire evidence of the human hand. We seek out the objects that reflect the touch of the creator, the unique vision and refined craftsmanship of the individual artisan. These are things of enduring beauty and personal significance that transcend time to exist in a separate place of the heart.''

Cunningham's paintings are highly prized in private and corporate collections worldwide, as well as heavily awarded in major competitions. When asked what is her proudest achievement, the artist's answer is immediate - ''Most of my collectors own at least two pieces, usually more. To me this is the highest honor any artist can receive beyond the satisfaction which comes from accomplishing the work itself. It indicates the collector has formed more than just an appreciation for the subject of a particular work. It means a connection to the spirit of the work as a whole has taken place. In my world, there is nothing finer.''

These works are all original ''linewash'' paintings, consisting of some or all of the following: watercolor, metallic gouache, india ink, colored ink, metallic ink, oxgall liquid, thymol, distilled or salt water; on 140 lb. hot pressed or cold pressed watercolor paper. They are all matted by the artist, and shrink wrapped for protection. It is the disadvantage of online presentation, that the viewer cannot see how much more luscious and vibrant these works are in person. And it is a tribute to the artist that she has dedicated collectors of her work, and that some now are being purchased prior to completion. 

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